UltraFast69
New member
- Thread Author
- #1
Like many of you, I have been chasing the audio dragon; highly addictive, easily compulsive and often sprinkled with emotion.
After much time assembling a punch lists of rights and wrongs I stayed the course with knowledge I have assembled highlighting power, cables, room acoustics and isolation all in support of some really great gear.
Today, I believe I have reached a level of appreciation for what I am hearing after much work, expense and time - is there more to learn, you bet.
In the final steps of this system assembly, I shout out publicly an acknowledgment to my friend Rex, aka “King Rex”. His electrical efforts this weekend allowed my sound to reach crazy levels of goodness. Rex is a Master Electrician and an Audiophile Junkie.
Jaw dropping sound was reached by addressing electrical grounding. We burrowed in 40 degree weather two 8’ copper grounding rods and connected these with heavy gauge copper wire that have been deoxited and wrap sealed then leading to the sub panel which house dedicated circuits feeding my music room - this process while simple, was initiated unlike much of the contractor grade installation on the main panel which I believe is why the benefit is so great. Now both the main panel and the sub panel have two rods each. Grounding off the sub panel was well beyond what I thought could be achieved and thee most cost effective solution to date bringing everything I have assembled into a world class SOTA audio system open for any challenge!
Immediately the system played at a level more superior than previous. Music easily played with more openness, timbre and decay thanks to a blacker background. As I’m listening at 25% volume sounds more like 30-40% did previous, efficiency appears to have been gained. Across the range, particularly the low end, the mono’s have always displayed a tight grip on the speakers, but now that grip has succumbed to a bionic like grip, think, Colonel Steve Austin. This now is so easily demonstrated across genre and also passes my piano test, a major benchmark I look for in performance - I cannot explain this.
All the effort and expense of putting the pieces together as a complete sound have now paid off thanks to $93.00 in copper grounding rods, clamps and sealant coupled with the efforts of Rex.
I am immensely enjoying Audio Bliss and Nirvana, so thank you Rex and all the forum members. I hope this helps someone someday think about these options in high end audio. And remember always use a qualified master electrician.
The pictures below show both grounding rods and the power jack that drove these into planet earth.
Make Your Sound Possible.
Sent from my iPad using Tapatalk Pro
After much time assembling a punch lists of rights and wrongs I stayed the course with knowledge I have assembled highlighting power, cables, room acoustics and isolation all in support of some really great gear.
Today, I believe I have reached a level of appreciation for what I am hearing after much work, expense and time - is there more to learn, you bet.
In the final steps of this system assembly, I shout out publicly an acknowledgment to my friend Rex, aka “King Rex”. His electrical efforts this weekend allowed my sound to reach crazy levels of goodness. Rex is a Master Electrician and an Audiophile Junkie.
Jaw dropping sound was reached by addressing electrical grounding. We burrowed in 40 degree weather two 8’ copper grounding rods and connected these with heavy gauge copper wire that have been deoxited and wrap sealed then leading to the sub panel which house dedicated circuits feeding my music room - this process while simple, was initiated unlike much of the contractor grade installation on the main panel which I believe is why the benefit is so great. Now both the main panel and the sub panel have two rods each. Grounding off the sub panel was well beyond what I thought could be achieved and thee most cost effective solution to date bringing everything I have assembled into a world class SOTA audio system open for any challenge!
Immediately the system played at a level more superior than previous. Music easily played with more openness, timbre and decay thanks to a blacker background. As I’m listening at 25% volume sounds more like 30-40% did previous, efficiency appears to have been gained. Across the range, particularly the low end, the mono’s have always displayed a tight grip on the speakers, but now that grip has succumbed to a bionic like grip, think, Colonel Steve Austin. This now is so easily demonstrated across genre and also passes my piano test, a major benchmark I look for in performance - I cannot explain this.
All the effort and expense of putting the pieces together as a complete sound have now paid off thanks to $93.00 in copper grounding rods, clamps and sealant coupled with the efforts of Rex.
I am immensely enjoying Audio Bliss and Nirvana, so thank you Rex and all the forum members. I hope this helps someone someday think about these options in high end audio. And remember always use a qualified master electrician.
The pictures below show both grounding rods and the power jack that drove these into planet earth.
Make Your Sound Possible.


Sent from my iPad using Tapatalk Pro