the professor
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How has Dan D'Agostino done it? I can't answer the question in technical terms, and as I write this I haven't yet seen John Atkinson's measurements, but here's the recipe for what I heard: Take an ultraquiet backdrop. Then, without making the sound too soft or too etchy, add just the right balance of liquidity and delicacy, to produce natural transient attacks, a generous, almost tube-like sustain, and take-your-breath-away decays that produce the sensation of floating on a cloud. Combine that with precise, three-dimensional imaging—particularly in terms of front-to-back-of-hall image delineation—expansive soundstaging, explosive dynamics, and exceptional transparency, and you have the Momentum's "sound."
Dan D'Agostino Master Audio Systems Momentum line preamplifier | Stereophile.com
How has Dan D'Agostino done it? I can't answer the question in technical terms, and as I write this I haven't yet seen John Atkinson's measurements, but here's the recipe for what I heard: Take an ultraquiet backdrop. Then, without making the sound too soft or too etchy, add just the right balance of liquidity and delicacy, to produce natural transient attacks, a generous, almost tube-like sustain, and take-your-breath-away decays that produce the sensation of floating on a cloud. Combine that with precise, three-dimensional imaging—particularly in terms of front-to-back-of-hall image delineation—expansive soundstaging, explosive dynamics, and exceptional transparency, and you have the Momentum's "sound."
Dan D'Agostino Master Audio Systems Momentum line preamplifier | Stereophile.com