jdandy
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It's been just over a year since I last tested the 16 Gold Lion KT88 tubes and the four Siemens ECC801S (12AT7) driver tubes in my two McIntosh MC2301 amplifiers. I maintain a spreadsheet on each tube in each amplifier. This allows me to track the power tubes' plate current and transconductance, comparing the current numbers to those of new tubes and against what is considered the low end of useful life. The Gold Lion tubes have 2,268 hours on them as of this evening. I was pleased to see the plate current and transconductance numbers are still very close to what I measured last year. All 16 KT88's displayed a minimum of 60% useful life remaining with plate current and transconductance numbers continuing to be relatively close matched.
Each MC2301 uses eight KT88 power tubes and two 12AT7 driver tubes. Testing the four Siemens ECC801S tubes revealed almost no change in their triode gain numbers, triode matching, or noise levels. I expect the Siemens tubes to last 10,000 hours, perhaps even longer.
With the tubes removed I had the opportunity to wipe the dust from the chassis of each amplifier with a microfiber cloth before reinserting each tube back in its respective porcelain socket and replacing the tube cages. At the same time I unplugged and reinserted the balanced cables at the amplifier input terminals and on the rear of the C1000P preamplifier. Fresh contact never hurts anything. I did the same with the speaker terminals on the amps and the SF Amati Anniversario speakers.
With my annual preventative maintenance behind me, I am now enjoying the fruits of my labor. The studio system sounds sublime.
Each MC2301 uses eight KT88 power tubes and two 12AT7 driver tubes. Testing the four Siemens ECC801S tubes revealed almost no change in their triode gain numbers, triode matching, or noise levels. I expect the Siemens tubes to last 10,000 hours, perhaps even longer.
With the tubes removed I had the opportunity to wipe the dust from the chassis of each amplifier with a microfiber cloth before reinserting each tube back in its respective porcelain socket and replacing the tube cages. At the same time I unplugged and reinserted the balanced cables at the amplifier input terminals and on the rear of the C1000P preamplifier. Fresh contact never hurts anything. I did the same with the speaker terminals on the amps and the SF Amati Anniversario speakers.
With my annual preventative maintenance behind me, I am now enjoying the fruits of my labor. The studio system sounds sublime.