roncagg
Member
- Thread Author
- #1
Got my new Firstwatt F7 from Reno on Thursday. I’ve been intrigued by Nelson Pass’s approach to achieving the best sound quality from the simplest of solid state circuits. With only 20 Watts, speaker matching is important and since my Gallo 3.1s are 88db (albeit with no crossovers) I was concerned. But the sixmoons review reported great pairings with even less efficient examples so I was optimistic that the design (incorporating positive feedback that increases damping factor among other things) could be well suited to my setup.
Long story short - I was right to be optimistic! I had only my Pass DIY B-1 buffer at hand for the first go-around, even so (past 3 on the volume dial) I could hear what the fuss was about - it had great resolution/clarity without being lean or thin sounding, plenty of drive, and the soundstage extended further out front to back and side to side than I am used to (job 225 and Pass Aleph 30 are my points of comparison). Hearing each instrument in its precise location in space allowed the fully formed sound of each to stand out - voices had great character and realism, saxophone timbres were easily distinguished from one another, guitar was rounded yet crisp at the same time (jazz CDs from Scofield, Hancock, Antonio Sanchez were among the first crop I played). Bass was taut, but not as forceful as I like (a shortcoming of the buffer preamp I would soon discover).
I was at the limit of the B-1 volume-wise and was feeling the need to crank it up, so I swapped it for a Manley Shrimp tube preamp that arrived yesterday (thanks audiogon!). The F7 has a low 10kohm input impedance, not a challenge for most SS preamps but more so for tubes, however the Shrimp has a very low output impedance and not too much gain, perfect for what I was after. It was ideal, preserving the wonderful characteristics of the F7 I outlined above, while adding some bass slam and more volume range with perhaps a touch of tube warmth (subtle if there, I may be imagining it because I know it's a tube pre!). Interestingly the soundstage didn't change to my ears with the swap, seems to all come from the amp. The F7 is pretty awesome, kudos Nelson Pass! Does anyone else have one?
Long story short - I was right to be optimistic! I had only my Pass DIY B-1 buffer at hand for the first go-around, even so (past 3 on the volume dial) I could hear what the fuss was about - it had great resolution/clarity without being lean or thin sounding, plenty of drive, and the soundstage extended further out front to back and side to side than I am used to (job 225 and Pass Aleph 30 are my points of comparison). Hearing each instrument in its precise location in space allowed the fully formed sound of each to stand out - voices had great character and realism, saxophone timbres were easily distinguished from one another, guitar was rounded yet crisp at the same time (jazz CDs from Scofield, Hancock, Antonio Sanchez were among the first crop I played). Bass was taut, but not as forceful as I like (a shortcoming of the buffer preamp I would soon discover).
I was at the limit of the B-1 volume-wise and was feeling the need to crank it up, so I swapped it for a Manley Shrimp tube preamp that arrived yesterday (thanks audiogon!). The F7 has a low 10kohm input impedance, not a challenge for most SS preamps but more so for tubes, however the Shrimp has a very low output impedance and not too much gain, perfect for what I was after. It was ideal, preserving the wonderful characteristics of the F7 I outlined above, while adding some bass slam and more volume range with perhaps a touch of tube warmth (subtle if there, I may be imagining it because I know it's a tube pre!). Interestingly the soundstage didn't change to my ears with the swap, seems to all come from the amp. The F7 is pretty awesome, kudos Nelson Pass! Does anyone else have one?