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  1. #1
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    ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Audio Research announces the introduction of the Reference Phono 10 | Dé Durob Audio blog ? Le Blog de Durob Audio

    Mike...I am sorry to do this to you but this one is begging to join its Ref 10 line stage preamp brother
    Cyril
    Speakers/Amp/Preamp: Thiel CS2.4 / ARC Ref 110 / ARC Ref 3
    Sources: Basis 2001/Graham2.2/Nagra BPS/Benz Micro Glider SL, ARC CD7, Oppo BDP-83 SE
    Cables/Power/Other: Nordost Heimdall ICs, SCs / Shunyata Hydra 8, Shunyata Python Helix PC / VPI 16.5, HRS Nimbus isolation system

  2. #2
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Oh man!!! Can you imagine? Oh brother!!
    Main Listening Room: Sonus Faber Stradivari's, Pass XS150 dual chassis monos, Cary 805AE monoblocks, Hegel H30 stereo amp, Music Reference OTL-1 stereo amp, Pass XS Preamp, VAC Renaissance preamp (modified), ARC REF PH2SE, Kronos Sparta with Benz Micro LP-S, Technics 1500 R2R, deHavilland Tape Preamp, Lumin S1 Network Music Player, TaraLabs Omega Gold Speaker Cables, TaraLabs 0.8 Interconnects, Kimber Select Interconnects, TaraLabs Omega Gold Phonocable, Ansuz "D" Power Cords, Shunyata Alpha Power Cords.
    Home Theater:Mirage Surround Speakers, Seaton Subs, Bryston 9BSST2, Marantz MM7025, Marantz 8801, Oppo 105, Sony HWS30 projector, Stewart Screen
    Family Room:Dali Epicon 8's, Luxman M600a/C600f, Line Magnetic 219ia, Pass XP15 Phonostage, VPI Classic 3 w/Ortofon Cadenza Bronze, Lumin A1 Network Music Player, Oppo 95, Ansuz Mainz 8, Ansuz Sparkz (2), Ansuz Darkz (12), TaraLabs Power Cables, Kimber Select Speaker Cables and IC's and AcousticZen IC's.

    “Without music, life would be a mistake.”
    ― Friedrich Nietzsche, Twilight of the Idols, Or, How to Philosophize With the Hammer




    Industry Affiliation............Lumin Dealer

  3. #3
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Oh!!
    I forgot to show this :
    From ARC
    Vinyl record playback has been an integral part of Audio Research since our founding in 1970. Think back to the great phono stages built into the defining preamplifiers of their day, among them the SP3, SP6, SP8, SP10, and SP11. Even after the introduction of the compact disc in 1982, phono sections remained a revered part of our preamplifiers. The first Audio Research phono preamplifier in a separate chassis was introduced in 1992.
    After all this time, we are proud to finally introduce the first two-chassis phono preamplifier in our history, the Reference Phono 10. This model number was designated because it mirrors its line-stage counterpart, the Reference 10, providing an unsurpassed level of performance in its category. The retail price of the Reference Phono 10 is $30,000.00 U.S.
    The Reference Phono 10 (RP10, for brevity) embodies everything we know about phono playback, and incorporates many of the insights gained in the development of the REF Anniversary and REF10 line-stage preamplifiers. The RP10 is a true dual-mono design with totally separate signal paths for each channel, from the dual-mono power supply forward. There are separate high- and low-voltage transformers for each channel, and sufficient energy storage for a serious amplifier, fully twice the capacity of a REFPH2, providing incredible dynamic headroom. There are twenty stages of electronic regulation, with separate vacuum-tube regulation (via 6550WE and 6H30) for each channel. There are dual umbilical cords between the power supply and the separate analog stage. The power cord inlet contains a 20A IEC connector.
    The dual-mono audio circuits are fully discrete, pure Class-A, with zero feedback. The low gain audio section uses eight 6H30 tubes, four per channel. Rather than using a step-up transformer, special high-gain, extremely low-noise FETs are used in the high- gain section. This approach is costlier than using a transformer, but it is well worth the dramatic performance increase.
    The RP10 is a fully balanced design, with an input circuit that allows its RCA inputs to operate in a balanced configuration without requiring an inverter.
    The RP10 has two sets of inputs with the same flexibility as the Reference Phono 2SE, including switchable Low (51dB BAL/45dB SE) and High (74dB BAL/68dB SE) gain, seven loading options including 47k, 1000, 500, 200, 100, 50 ohms, plus Custom which can be factory-set according to your needs. In addition to standard RIAA equalization, the RP10 also includes early Columbia and Decca equalization curves.

    The RP10 looks almost exactly like the REF10, with the same 7-inch diagonal touch screen mounted asymmetrically, and only two buttons for power and mute on its front panel. (The REF10’s volume knob is understandably absent.) The interactive touch screen allows the user to change inputs (and input names), equalization, loading, gain, muting, foreground and background colors of the display, display intensity, and tube hours. Control functions are duplicated on the supplied metal remote.
    The side panels of both analog and power-supply chassis are finished to the same high standard as the front panels: anodized, 3/8 inch thick, with no visible screws. The entire chassis (including rear panel) is painted silver to complete the elegant appearance. The tops of both units are clear acrylic with a laser-cut perforation pattern.
    From the first note on that treasured LP, its greatness is at once obvious and breathtaking—the Reference Phono 10 is a sonic blockbuster that establishes the new standard in analog music playback. Emphatically. Great vinyl takes on an explosive, dynamic quality that is normally encountered only in a live performance, whether the crescendo of an orchestra, a roaring rock band, or the intricacies of a solo piano. When called for, the stage is vast, holographic, enveloping: Dimensionality is redefined, with an engaging, reach out and touch it quality. The RP10 resolves so much detail without grain, delighting listeners with new information extracted from those familiar grooves. The musical experience is so much more involving and persuasive—you do not want it to end. But these are mere words that pale in comparison to the actual listening experience. Understanding only comes from listening.
    Production is starting now, with the first few units shipping in early May. Contact your sales representative to experience the product that triumphantly validates the superiority of analog playback; music in High Definition®.
    Sincerely,
    Audio Research Corporation
    Nelson
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  4. #4
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Looks like it's gonna be $30K also
    Cyril
    Speakers/Amp/Preamp: Thiel CS2.4 / ARC Ref 110 / ARC Ref 3
    Sources: Basis 2001/Graham2.2/Nagra BPS/Benz Micro Glider SL, ARC CD7, Oppo BDP-83 SE
    Cables/Power/Other: Nordost Heimdall ICs, SCs / Shunyata Hydra 8, Shunyata Python Helix PC / VPI 16.5, HRS Nimbus isolation system

  5. #5
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Quote Originally Posted by cmalak View Post
    Looks like it's gonna be $30K also
    It is US30k
    Nelson
    ______________________
    Disclosure of Industry Participation
    Co-Founder and Managing Director of Audionirvanard
    DISTRIBUTOR OF :
    Audio Research
    Sonus Faber
    VAC
    Wilson Audio
    D'Agostino
    Shunyata
    Nordost
    Stillpoints / Klaudio RCM / ARIA Music Servers

  6. #6
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    How long do we think it's going to take for Mike to order one? The over-under is 60 days. I'm going with the "under".

  7. #7
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Only the best should be paired with a Clearaudio Innovation.

  8. #8
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    You guys crack me up. I'm going to stick with my Zesto for now (it really sounds great) and I can't wait for my new VPI Classic 3 (Rosewood) and Lyra Kleos which I just ordered to arrive. I can buy a lot of music for the price of the REF10PH. I need to shore up other areas of my system before I even think of a REF10PH. Plus, I'm not overly keen on a two big box phono stage. Takes up too much rack space.

    ...what I need is to sell my Avid TT/SME309/Dynavector.

    http://app.audiogon.com/listings/tur...9-analog-34202
    Main Listening Room: Sonus Faber Stradivari's, Pass XS150 dual chassis monos, Cary 805AE monoblocks, Hegel H30 stereo amp, Music Reference OTL-1 stereo amp, Pass XS Preamp, VAC Renaissance preamp (modified), ARC REF PH2SE, Kronos Sparta with Benz Micro LP-S, Technics 1500 R2R, deHavilland Tape Preamp, Lumin S1 Network Music Player, TaraLabs Omega Gold Speaker Cables, TaraLabs 0.8 Interconnects, Kimber Select Interconnects, TaraLabs Omega Gold Phonocable, Ansuz "D" Power Cords, Shunyata Alpha Power Cords.
    Home Theater:Mirage Surround Speakers, Seaton Subs, Bryston 9BSST2, Marantz MM7025, Marantz 8801, Oppo 105, Sony HWS30 projector, Stewart Screen
    Family Room:Dali Epicon 8's, Luxman M600a/C600f, Line Magnetic 219ia, Pass XP15 Phonostage, VPI Classic 3 w/Ortofon Cadenza Bronze, Lumin A1 Network Music Player, Oppo 95, Ansuz Mainz 8, Ansuz Sparkz (2), Ansuz Darkz (12), TaraLabs Power Cables, Kimber Select Speaker Cables and IC's and AcousticZen IC's.

    “Without music, life would be a mistake.”
    ― Friedrich Nietzsche, Twilight of the Idols, Or, How to Philosophize With the Hammer




    Industry Affiliation............Lumin Dealer

  9. #9
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    ...what I need is to sell my Avid TT/SME309/Dynavector.

    Where's Joe?!!
    Doug

    Line Magnetic LM218ia / WTL Amadeus / EMT tsd15 / Manley Chinook / Devore Super 8's / A23 cables


  10. #10
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    Re: ARC Introduces first 2-chassis Phono stage...the Reference Phono 10

    Quote Originally Posted by dlb2 View Post
    ...what I need is to sell my Avid TT/SME309/Dynavector.

    Where's Joe?!!
    If Mike was local, I'd really consider it.
    Joe

    CJ GAT & ART monos, CJ ARTsa, Line Magnetic LM-219IA, McIntosh MC-225, McIntosh MC-275-VI's as monos, Hegel H30, Pass Labs XA60.5's, Cary 300B-SE, Sonus Faber Stradivari, Harbeth 40.1, Naim Supernait 2 w/ HiCap 2 PS, Carver VTA20S, Lumin A1, Manley Steelhead, Marantz SA-11S3, ModWright Ultimate Sony XA-5400ES, ASL Wave monos, Nordost TYR2 and Transparent Audio Super, VPI Classic 3, VPI SDS, Lyra Kleos, Burmester 948, Metric Halo LIO-8.

 

 
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